Art

3,253 Articles 8 Followers

"Canone cromatico terzo" [Philip Daniel; 2018]

25 Oct 2020 1 minute read 0 comments PhilipDaniel

Third in a series of "chromatic" canons for varied instrumentation, here scored for violin and viola duet. Note the presence of what the estimable Bernard S. Greenberg calls "the 'call-response' earmarks of 'canons at the subdominant.'" Belo...

"Canone cromatico terzo" [Philip Daniel; 2018]

NON-FUNGIBLE TOKENS

25 Oct 2020 4 minute read 0 comments Simplify Crypto

The blockchain provided an economic infrastructure that adds value to virtual assets in a way never seen before. At the possibilities are enormous and the potential for innovation and disruption shows itself stronger and stronger. Among the novelties...

Two Bottled Leaves for Pianoforte: II. Passacaille [Philip Daniel; 2016]

24 Oct 2020 1 minute read 0 comments PhilipDaniel

The second of my "Bottled Leaves" for Pianoforte, composed in 2016. A quaint piece, perhaps; certainly one preceding my musical maturity, though laying the groundwork for it. The full engraved score, for your perusal: Th...

Two Bottled Leaves for Pianoforte: II. Passacaille [Philip Daniel; 2016]

Two Bottled Leaves for Pianoforte: I. Mottetto elegiaco [Philip Daniel; 2016]

24 Oct 2020 1 minute read 0 comments PhilipDaniel

The first of my "Bottled Leaves" for Pianoforte, composed in 2016. Though arguably somewhat naïve, this work's harmonic language, voice-leading / contrapuntal procedures, motivic economy, and approach to developmental variation presage my later wo...

Two Bottled Leaves for Pianoforte: I. Mottetto elegiaco [Philip Daniel; 2016]

Chorale Harmonization on "O Ewigkeit, du Donnerwort" [Philip Daniel; 2020]

23 Oct 2020 1 minute read 0 comments PhilipDaniel

A mystical chorale harmonization of the sacred song "O Ewigkeit, du Donnerwort", scored for SATB choir and tenor trombone obbligato. The engraved "conductor's score", posted for perusal: At the following hyperlink, you may find the...

Chorale Harmonization on "O Ewigkeit, du Donnerwort" [Philip Daniel; 2020]

Sinfonia concertante for String Orchestra: III. Scherzo e canzone (Scrolling Score) [Philip Daniel; 2017]

22 Oct 2020 1 minute read 0 comments PhilipDaniel

The third of five movements of a "Sinfonia concertante" in an expressionist / late romantic idiom for string orchestra. A scherzo in a modified rounded binary form, contrasting an ecstatic (Scriabinesque?) outer section thematic complex with an es...

Sinfonia concertante for String Orchestra: III. Scherzo e canzone (Scrolling Score) [Philip Daniel; 2017]

Does crypto benefit traditional media Artists

22 Oct 2020 1 minute read 0 comments Kebwesi

Welcome to Art Afrika Studio. Where African Art meets the world. Art Afrika Studio (http://artafrika.studio) provides a channel for artists in Africa to showcase, monetize and sell their artwork online. With the current backdrop of Non Fungible Token...

Does crypto benefit traditional media Artists

Aequale "Ritornello" [Philip Daniel; 2020]

21 Oct 2020 1 minute read 0 comments PhilipDaniel

An intricate, yet compressed, Aequale for two soprano bugles, two alto bugles, and B♭ Sousaphone that veers between joy, bombast, melancholy, angst, and even sarcasm. The finale, in some sense an epilogue, of the first volume of Aequale. You may...

Aequale "Ritornello" [Philip Daniel; 2020]

"Bizzzzy Beee" by Richard F. Yates (Holy Fool)

21 Oct 2020 1 minute read 1 comment Richard F. Yates

I've been busy lately, mostly being an artist. I'm currently publishing new #nfts (non-fungible tokens) on three different platforms: NFT Showroom: https://nftshowroom.com/richardfyates/gallery Rarible: https://app.rarible.com/richardfyates/collect...

"Bizzzzy Beee" by Richard F. Yates (Holy Fool)

Aequale "Vermischte Fuge" [Philip Daniel; 2020]

21 Oct 2020 1 minute read 0 comments PhilipDaniel

A fugue with canonic elements? A canon with fugal elements? In any case, my Aequale "Vermischte Fuge" (scored for flugelhorn, F alto horn, E♭ alto horn, and baritone horn) is a highly theatrical work of imitative counterpoint, its subject characte...