Art

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"Sonata da Chiesa" for piano [Philip Daniel; 2017]

4 Nov 2020 1 minute read 0 comments PhilipDaniel

    A tetrapartite "chamber sonata" for piano, often densely contrapuntal, with a heavily chromatic "extended" harmonic language growing out of late romanticism, impressionism, and expressionism.                 The full engraved score, for your per...

Chorale Harmonization on "Die güldne Sonne voll Freud und Wonne" [Philip Daniel; 2019]

4 Nov 2020 1 minute read 0 comments PhilipDaniel

    A setting of the sacred song "Die güldne Sonne voll Freud und Wonne" from "Schemelli's Gesang-Buch", for SATB choir with viola obbligato.     The full engraved score:       You will discover the hymn melody upon which I based this choral work...

Fughetta for Violin, Viola, Violoncello, & Bass Guitar in C Lydian Augmented [Philip Daniel; 2017]

4 Nov 2020 1 minute read 0 comments PhilipDaniel

    A fughetta for four voices, comprised of an exposition and coda without episodes and counter-expositions, in the C Lydian Augmented mode. This is the third mode of the familiar Melodic Minor scale, and is notable for the absence of a functional...

Fughetta for Violin, Viola, Violoncello, & Bass Guitar in A♯ Prometheus Neapolitan [Philip Daniel; 2017]

3 Nov 2020 1 minute read 0 comments PhilipDaniel

    A four-voice fughetta in the A♯ Prometheus Neapolitan mode which shares motivic similarities with its sibling in C♯ Enigmatic. This hexatonic [six-note] mode, the third mode of the Blues Dorian Hexatonic scale, fuses aspects of the esoteric Prom...

Fughetta for Violin, Viola, Violoncello, and Bass Guitar in C♯ Enigmatic [Philip Daniel; 2017]

3 Nov 2020 1 minute read 0 comments PhilipDaniel

    A four-voice fughetta on two subjects in the C♯ Ascending Enigmatic mode. This striking mode, the discovery of which many attribute to Giuseppe Verdi, consists of the following intervals: semitone, augmented second, tone, tone, tone, semitone, s...

AND NOW? - WAR?

3 Nov 2020 1 minute read 0 comments MariaOspinaGar1

The war had ended without anyone noticing that we had fought, even so, the cities were devastated, people slowly walked out of the welcoming shadows in fear while facing the unknown future in fear with the hope set in the values that the Society had...

Fughetta for Violin, Viola, Violoncello, and Bass Guitar in F Aeolian [Philip Daniel; 2017]

2 Nov 2020 1 minute read 0 comments PhilipDaniel

    A four-voice fughetta on two subjects in the F Aeolian mode. This fughetta is distinguished from its companions in the set for its length and breadth, and even more so for being composed in one of the ecclesiastical modes rather than in a synthe...

SALIN

2 Nov 2020 1 minute read 0 comments abisai

SALIN - abisai SALIN A Javanese word for "changing clothes". This is my weekly illustration practice. Nothing much to say about this one since this was just what I like to draw. So anyways, I really hope this one is enjoyable. Stay safe, and...

Harvest Finance 'Farm Arts' Creativity Contest WINNERS - Round 2

1 Nov 2020 3 minute read 9 comments Farmer Chad

It’s been a pretty spooky week down on the Farm, with lots of strange goings on and the odd nasty fright, but regardless, our community kept churning out top quality entries to the creativity contest.     Once again, we had a big prize pot, with 50 e...

Fughetta for Violin, Viola, Violoncello, and Bass Guitar in B Blues Phrygian [Philip Daniel; 2017]

1 Nov 2020 1 minute read 0 comments PhilipDaniel

    A four-voice fughetta in the B Blues Phrygian mode. This mode arises when combining the Phrygian mode (third mode of major / Ionian; alternatively, natural minor / Aeolian with a flattened supertonic) with the Blues scale (a hexatonic [six-note]...