• At this point in his career, Richard Ashcroft had learned that money and happiness were not synonymous. "People have been sold a lottery dream in life that money solves everyone's problems," he said in a interview. "Suddenly you're looking at people and you're thinking: 'I know they need X but if I give X then that relationship that should have died years ago is going to carry on and spoil.' It opens up a myriad of things that you would never normally be thinking about, responsibilities on a new level."
• The famous orchestral riff incorporates a sample from an obscure instrumental version of the 1965 Rolling Stones song "The Last Time" by Stones producer Andrew Loog Oldham, who included it on a 1966 album called The Rolling Stones Songbook (credited to The Andrew Oldham Orchestra). The Verve got permission to use the six-second sample from Decca Records, which owned the Oldham recording, but they also needed permission from the publisher of "The Last Time," something they didn't realize until after the album was completed. So, with Urban Hymns ready to go and "Bitter Sweet Symphony" slated as the first single, Verve manager Jazz Summers tried to secure those rights, which belonged to Allen Klein's company ABKCO. The Rolling Stones signed a very lopsided contract with Klein, who was their manager, early in their career, and had to make huge concessions in order to get out of it. Part of the deal gave Klein the publishing rights to all of the Stones' songs they recorded through 1969. In the book Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll, it states that Summers offered Klein 15% of the publishing to obtain the rights. Klein turned him down flat, and when he realized that the Verve were sitting on a hit record they couldn't release without a deal, he insisted on 100% of the publishing. The Verve gave in, since they really had no choice. Richard Ashcroft, who wrote the lyric, was given a flat fee of $1,000 and had to sign away his rights. "I was put under duress to sign away one of the greatest songs of all time," he said. The end result was Klein making an enormous profit on the song every time it was purchased or used in a TV show, movie or commercial.
• "Try to make ends meet, you're a slave to money, then you die." Ashcroft's father, Frank, was an office clerk, a dissatisfying job that earned him enough to get by. He died suddenly of a brain hemorrhage in 1982 when Richard was 11 and his sisters, Victoria and Laura, were very young. "He worked nine to five and got nowhere; I immediately realized that wasn't the life for me."
• The sample used in this song is one of many layers that make up the track. The opening section of the song isn't a sample - it was arranged by Wil Malone - although it was based on those notes.
• This was the only American hit for The Verve, but they were far more popular in their native UK, where their next single, "The Drugs Don't Work," went to #1. The band broke up in 1999 and reformed in 2007, releasing the album Forth in 2008
• The video shows Ashcroft bumping into people as he walks down Hoxton Street, a crowded shopping area in London. It was inspired by the video for Massive Attack's 1991 song "Unfinished Sympathy," which was showed the singer walking down a street in a similar manner. The clip was directed by Walter Stern, who also did Massive Attack's "Teardrop" promo.
• Had The Verve retained publishing rights to this song, there's a good chance it never would have become a hit in America. That's because they wouldn't have allowed it to be used in the Nike commercial, which is what introduced the song there.
• Because this sampled the song from The Rolling Stones, Mick Jagger and Keith Richards got composer credits along with Richard Ashcroft. Upset that he lost the royalties, Ashcroft said this was "The best song Jagger and Richards have written in 20 years."
• This was a showstopper when a reunited Verve played the Glastonbury festival in 2008. Ashcroft introduced the song by saying: "Life's a struggle. Monday morning might be a struggle for a lot of you in a job that you despise, working for a boss that you despise. A slave to money, then we die."
• In a statement released on May 23, 2019, Richard Ashcroft announced that Jagger and Richards had given him back "Bitter Sweet Symphony" royalties and The Stones duo also had their writing credits removed. The announcement coincided with Ashcroft receiving the Outstanding Contribution To British Music prize at the Ivor Novello Awards. Ashcroft says he can finally enjoy the song when he hears it played at football matches.

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