There is a song that I love snake charmer in which you go out to the patio with two bags of black mound in the morning or in the afternoon to gather ants or waiting to open the business piped up to the horny thinking of not being one in not looking for it thin stems improving the remedy for sciatica in a yellow T-shirt the lounger the freshly cut grass the little tufts standing all together the harpsichords of your house the right teeth of cousins ​​gathered at forty-five with the rubbery cloth chairs covered the best grill of their lives the dumplings the ribbons dumplings with the lacquered floor staked the tanning dust in the bathroom the center of the gaze with the mirror the new taps veins of round or stained tiles on the boxed shirts all the magazines people in molds of other people's plates in other people's closures to electrical fidelity worthy of running water from aseptic well of first sewage network without remnants of m material flaccid or soapy or biosynthetic or porous or coarse or flabby bigger softer not so hard not so soft nor so gray lanolin just arrived at the table passed through the arm of the fork to the knife to the cabinet perfect mahogany sawn eighteenth century less Greek edges less Roman more baroque less likerias more romantic thick so many concentric ice rings the freezer without frost smell of peach the showers of the dogs one by one one in a lacerated enamel waxed of fine calf beam squeaks in the air closed open hang the napkins at five tea embroidered cuban salad bowls savannah silky egyptian silky neapolitan leather linings cooked by hand of twenty black assorted endives japanese spider crabs kodiak salmon emulsion of strawberrys candied british cords impaled processed packaged forever manless registered safeguards distributed repatriated for the duchesses of luxembourg a champagnes of luxembourg dock paid for with handling of the gross domestic product of unpaid unpaid income from import surpluses of works of puppet workshops of fairy tales of cribs of grandchildren impressionist pastel color never tilted the painting of auguste renoir facing the dichroic polar concave debris of dust ionized at different angles diffuse profuse the actress's gloves wired to ground from unnamed hairs of apparent contacts spliced ​​with concatenated consanguineous ties neighbors come to little hairy hairy first player first to tie hands with feet spine by spine constrictive competitive lost destroyed deconstructed by machinery in the harshness of his bedroom cistern venereal venus pumped pumped pumped pumping falling overboard of padding lo chongo adulterated injury armed with water from overflowing basins stagnant waiting to see drops of channel number five guys in a fiscal field investigated for anatomical correlations Homologous forearms, gentlemen, activists, pelicans, porpoises, elephants, echidnas, providing testimonies from the thugs in the corners, landras, xc grief, very grief, gives to tora expectorant crab to the mirror, rehearses, grotesque, pays the paya, so passes so, rests so judge, pose portraits, portraits, portraits, cuchos in the yellow of the view all yields dwell twelve in the Valley anchor inclan inflate swell the bronchi hh retractable retractable it alveola the shadows it envelop the leftovers the stone in the shadows around make the features the pupae the pulps the drupes the pupil the palpable retractable rectil fingernail one by one retracts the remaining tubes silicon clusters of a thousand eight hundred bunches of nit cycle silos greasy sticks weevils gaseous quartz gorgons dismantled thaws from the marrow to the last one named the T minus one the breastfed breastfed breastfeeding waiting for the gargle the wail thiscàndo rembrandto rememb Rando the varma of the agar just by himself smelling the provocation of the isthmus the same of enjoyment awaits him he reads the spirit is a bone is pyrite spiriting shivering coming out bellowing burning dumping sacking cutting singing